“Prefigurative politics”

This is very much a work in progress, and creating a culture of democracy among people who have little experience of such things is necessarily a painful and uneven business, full of all sorts of stumblings and false starts, but—as almost any police chief who has faced us on the streets can attest—direct democracy of this sort can be astoundingly effective. And it is difficult to find anyone who has fully participated in such an action whose sense of human possibilities has not been profoundly transformed as a result. It’s one thing to say, ‘Another world is possible’. It’s another to experience it, however momentarily. Perhaps the best way to start thinking about these organizations—the Direct Action Network, for example—is to see them as the diametrical opposite of the sectarian Marxist groups; or, for that matter, of the sectarian Anarchist groups. Where the democratic-centralist ‘party’ puts its emphasis on achieving a complete and correct theoretical analysis, demands ideological uniformity and tends to juxtapose the vision of an egalitarian future with extremely authoritarian forms of organization in the present, these openly seek diversity. Debate always focuses on particular courses of action; it’s taken for granted that no one will ever convert anyone else entirely to their point of view. The motto might be, ‘If you are willing to act like an anarchist now, your long-term vision is pretty much your own business’. Which seems only sensible: none of us know how far these principles can actually take us, or what a complex society based on them would end up looking like. Their ideology, then, is immanent in the anti-authoritarian principles that underlie their practice, and one of their more explicit principles is that things should stay this way.

Finally, I’d like to tease out some of the questions the direct-action networks raise about alienation, and its broader implications for political practice. For example: why is it that, even when there is next to no other constituency for revolutionary politics in a capitalist society, the one group most likely to be sympathetic to its project consists of artists, musicians, writers, and others involved in some form of non-alienated production? Surely there must be a link between the actual experience of first imagining things and then bringing them into being, individually or collectively, and the ability to envision social alternatives—particularly, the possibility of a society itself premised on less alienated forms of creativity? One might even suggest that revolutionary coalitions always tend to rely on a kind of alliance between a society’s least alienated and its most oppressed; actual revolutions, one could then say, have tended to happen when these two categories most broadly overlap.

This would, at least, help explain why it almost always seems to be peasants and craftsmen—or even more, newly proletarianized former peasants and craftsmen—who actually overthrow capitalist regimes; and not those inured to generations of wage labour. It would also help explain the extraordinary importance of indigenous people’s struggles in the new movement: such people tend to be simultaneously the very least alienated and most oppressed people on earth. Now that new communication technologies have made it possible to include them in global revolutionary alliances, as well as local resistance and revolt, it is well-nigh inevitable that they should play a profoundly inspirational role.

From David Graeber: The New Anarchists